Los Angeles + NYC · Rehearsal-Based Intensive

Where training meetsthe reality of the industry.

This is training built from inside the rooms dancers are trying to enter. You don't need another class. You need proximity to the real thing.

The Callsheet

4 Super Bowls, 6 Coachellas, 59 Music Videos, 20 Commercials, 23 Tours. One Room.

Credits across the IMBRACE team

Why IMBRACE is different

Four ways the room is built different.

01

Real Industry Prep

Auditions, self-tapes, set etiquette, prop management, and the unspoken rules — rehearsed before they ever cost you the next booking.

02

Access to High-Quality, Working Professionals

Train beside choreographers and dancers currently working the rooms you're trying to enter.

03

An Intimate, Curated Environment

Small, intentional cohorts. Direct feedback. Nowhere to hide and no one overlooked.

04

Career-Forward Training

The business of dance, not just the steps — built to move your career, not fill your calendar.

The IMBRACE room isn't a class you drop into — it's a working set. Small, hand-picked cohorts move through real briefs at industry pace, with working professionals giving the direct, on-the-clock feedback you normally only get once you're already booked. You leave knowing how the room actually runs.

Ian McKenzie

Ian McKenzie

Founder · Choreographer

20+

Years in the industry

18

Years with Lady Gaga

LI

Super Bowl halftime

Meet Ian McKenzie

From a Boston dance floor to the world’s biggest stages.

Ian McKenzie's journey is a testament to the power of passion and persistence. He discovered his love for dance in his 20s in Boston — no prior experience, just an irresistible draw to music and movement. By 2001, he was part of the iconic Phunk Phenomenon troupe (from ABDC), and within just two years, he rose from a dancer to lead choreographer, even crafting routines for the Boston Celtics dance team. Across more than two decades in the industry, Ian has danced alongside superstars like Beyoncé, H.E.R., Alicia Keys, and Janelle Monáe — and for the past 18 years he's been a dynamic force behind Lady Gaga's mesmerizing performances, including Super Bowl LI and the most recent Mayhem Ball Tour. His artistry lights up music videos, shows like Gilmore Girls, The Hunger Games, and competitions like The Voice and X Factor. Today, Ian's mission is clear: to grow, inspire, and share his knowledge — fueling that drive with his own innovative training program, IMBRACE.

  1. 2001

    Falls in love with dance in Boston and joins the iconic Phunk Phenomenon troupe (ABDC).

  2. 2003

    Rises from dancer to lead choreographer and choreographs for the Boston Celtics dance team.

  3. 2004

    First tour with 112.

  4. 2008

    Visits Los Angeles and books the 'Poker Face' music video with Lady Gaga, kickstarting a longstanding career.

  5. 2020

    Founds IMBRACE in Los Angeles to provide a training ground and networking space for aspiring professional dancers.

  6. 2025

    A driving force behind Lady Gaga, totaling 12 tours over 18 years — the most recent being the 'Mayhem Ball.'

  7. Today

    IMBRACE continues to evolve and inspire the community to pursue their craft with passion and skill.

What is IMBRACE

A rehearsal room engineered to feel like the job — not the recital.

ImBrace is an intensive rehearsal-based dance program offering a space for aspiring and working professional artists to test their skills in an environment designed to simulate the real challenges of being on the job. ImBrace gives you the opportunity and tools to develop the skills needed to navigate the industry within a place of community and support.

In the room · Live rehearsal

The Next Intensive

Stop training for class. Start training for the job.

Real working professionals in the room. IMBRACE is where aspiring and working dancers build a career — not just a combo. Submissions are reviewed on a rolling basis until spots are full.

Stay in the Loop

Be first to know about the next class.

Drop your name and email for updates on future IMBRACE intensives — no spam, just what's next.